Rumpke Mountain Boys
Buffalo Wabs and the Price Hill Hustle
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Rumpke Mountain Boys
The Rumpke Mountain Boys combine signature vocals, a unique command of string instruments (acoustic guitar, mandolin, upright bass and banjo) and dynamic special effects into a singular musical experience. An emotion filled musical stream of consciousness with no setlist, minimal structure, and intuitive improvisational flow. In this way, they summon the energy of the crowd as their guide in linking just the right music to precise moments in time.
Grateful Dead Hour host David Gans proclaimed, “One of the things I love about the Rumpke Mountain Boys is that there’s a fundamental honesty in their presentation. This is something they share with my other heroes, Donna the Buffalo and the Grateful Dead. They don’t make set lists ahead of time, they don’t rehearse their songs to a fare-thee-well– they perform in real time. All four of them write, which is very important, and they draw songs from a tremendous variety of sources… being a musician is a life-long learning experience, if you’re doing it right, and they are.”
Like playing around a campfire, the Boys take turns calling the next tune, distilling shows from a sea of infinite notes created from years of jamming. Drawing upon a growing catalog of originals and and an eclectic mix of covers, the Rumpke Mountain Boys blend music like a fine Irish whiskey– the result affectionately dubbed Trashgrass. The Boys titled their 2012 album release with the same name, followed by their 2013 release, Moon, which was recorded at the famed Royal Studios in Memphis followed by their current studio release, “High Time, Low Tide”. The band plans to release a double live album in 2018.
The Rumpke Mountain Boys have played festivals from coast to coast to ever growing audiences including Northwest String Summit, John Hartford Memorial Festival, Blue Ox, and Dark Star Orchestra’s own Dark Star Jubilee. They have played with artists such as Leftover Salmon, Yonder Mountain String Band, Dark Star Orchestra, Railroad Earth, Hot Tuna, Horseshoes & Hand Grenades, Larry Keel Experience, Kitchen Dwellers, Peter Rowan, Tony Rice, Dave Bromberg, Del McCoury, Leon Russell, and Ralph Stanley all while continuously breaking new ground. All of this interaction and touring has the band firing on all cylinders. Now is the time to see the Rumpke Mountain Boys.
For the latest, news, updates, tour dates, videos, merchandise, and more visit www.rumpkemountainboys.com be sure to catch the band in a city near you.
Buffalo Wabs & The Price Hill Hustle
The Cincinnati-based ensemble Buffalo Wabs (as in ‘mobs’) and the Price Hill Hustle can be best described as ‘American’-- from the mountains to Music Row, blues-gospel to traditional country, the Hustle combines parts of the American-born genre catalogue to create an energetic experience every single night.
This four-piece moves from fast-paced, foot-stomping anthems to harmony-laden ballads and traditional dirges of spirit and labor. “The group started around the love of music that moves you,” says drummer/vocalist and band spokesman, Casey Campbell. “The music accompanies the story; and sometimes the music is the story by which we can all connect to one another.”
With the release of their third album, Stranger in the Alps, due March 15th, 2019, the Hustle aims to increase their original music portfolio while paying homage to select tunes that have had lasting impact on the band. “This album explores the first co-writing the band has undertaken,” says Campbell. “And through that collaborative process we’re beginning to find more complex voices, more adventurous tunes that bridge our influences even more than before.”
The new original material featured on Stranger in the Alps is a “cross-section of stylistic influences and voices,” says Campbell. “Oh, Ramona!,” written by Campbell, hearkens to the Piedmont Blues-era musicians, with tongue-in-cheek lyrics and a wry humor throughout. “Those old pickers knew how to tell a story; that’s the kind of vibe we’re after.”
The band also pays respects to some of the great influencers of American music on this latest album. “The covers we’ve chosen mean something to us; these are songs that still speak to us, and we want folks who may not know them to become familiar.” On the album’s third track, the band takes a full-steam-ahead approach to the iconic Leadbelly song, “Stewball,” an all-out fest that echoes the frantic speeds of a racetrack. “The intensity, the pace, it all builds from the first note to the last,” with help from acclaimed regional musicians Joe Macheret (The Tillers and Joe’s Truckstop) on fiddle and John K. Victor on harmonica. Macheret’s fiddle plays a pivotal role throughout the album; as Campbell notes, “Having such immensely talented friends is so beneficial when building the sonic landscape of a studio tune.”
As “Stranger in the Alps” is just hitting the market, the band already has its eyes set on the next project. “The wheels have been put in motion,” Campbell says, “and we’re ready to get the next batch out. It’s going to be a busy year.”
The Hustle has worked relentlessly through the Mid-Atlantic region, playing shows from south Minnesota to Asheville, North Carolina. As 2019 begins ramping up the band is eager to stretch its legs farther west, farther south, and beyond.
From large theaters to tiny bars, the show’s the same: heartfelt, real, a little loose, and sincerely fun. As the Hustle says, “If it ain’t fun, it ain’t worth it.”
Founded on the West Side of Cincinnati, the current lineup of the Hustle is starting its third year together. Anchored by the upright, Bill Baldock brings decades of experience and finesse to the talent pool, having been based around Nashville, TN, for many years while playing for a litany of revered industry professionals. Primary soloist Scott Risner does the same; now based in Cincinnati, Risner has also been a staple in the circuit for over thirty years, playing with such renowned acts as Alison Krauss and JD Crowe and the New South. Founding members Matt Wabnitz and Casey Campbell have been picking out heavy-hearted tunes for a decade together. Campbell, an Alabama native, brings a gospel-vocal sense to the arrangements while Wabnitz’ distinct hammering of the strings and raw vocal power sets the tone.
“We play music that we connect to, whether it’s an old find or a new line. We want it to mean something, every time.”
The members of Buffalo Wabs and the Price Hill Hustle are:
Matt Wabnitz aka Buffalo Wabs - Lead guitar, lead vocal.
Casey Campbell aka The Deacon - Drums/percussion, vocal
Scott Risner aka The Kentucky Waterfall - Mandolin, vocal, resonator guitar, tenor banjo
Bill Baldock aka Bullseye Bill - Upright bass, vocal
15711 Waterloo Rd
Cleveland, OH, 44110