Mal Devisa, Holden Laurence
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In July 2016, Alex Toth was recovering from a broken foot and a broken heart, stuck in his fourth-floor apartment in Brooklyn with cast and crutches. This is where Tōth's "achingly beautiful" debut album, Practice Magic and Seek Professional Help When Necessary, was born.
A few months earlier, Alex and his Rubblebucket cofounder and love of more than eleven years had "consciously uncoupled," after a period of helping each other through devastating challenges. Alex was lightning-struck by sadness. "Almost convalescent" at times, in his words, though rarely still. A jazz trumpeter by training, Alex is always, always writing. And that spring, a new kind of music started to come -- raw, stripped-down songs unfurling without agenda, bent over an acoustic guitar. It never occurred to Alex that he was making an album.
The idea sprouted in songwriting sessions with his friend Kimbra, when she heard this new sound and encouraged Alex to make a record. But it didn't solidify until June 2016, when Alex was onstage with his punk project, Alexander F, and broke his foot. Stuck there in his apartment all summer, Tōth came to life.
Practice Magic and Seek Professional Help When Necessary, due May 2019 from Northern Spy Records (worldwide) and Figureight Records (UK/Europe), is a self-help guide unlike any other -- a breakup album before wholeness, but after anger. The album turns as it goes, through "lush, windswept sonics" (Gorilla Vs. Bear), bebop trumpet solos, and spare guitar, recalling the Beach Boys in one bar and Arthur Russell in the next. It's an album for remembering and letting go -- and discovering what magic remains.
On his debut album, "Wild Empty Promises," Holden Laurence builds on the foundations of early alternative by combining elements of Mope-rock (The Cure), Post-punk (The Smiths), and New Wave (Echo & the Bunnymen) with Americana (Ryan Adams) and Modern Alternative (The Killers). Vintage synths, chorus-laden guitars, and steady grooves highlight an expansive sound that complements his vulnerable and vivid songwriting.
“It won’t be long before Holden Laurence becomes a household name hovering around the top of the list of Cleveland’s best. Holden is a double threat. He’s both an incredibly gifted musician technically and also a hell of a songwriter. These two factors create one powerful force that leaves tunes like ‘Broken Waltz’ rattling around in your brain long after last listen.” - Justin Markert, Cellar Door Cleveland
“‘Wild Empty Promises’ is a fantastic debut that blends mope-rock, post-punk and New Wave deftly... with its bittersweet tone and cinematic delivery.” - Eric Sandy, Cleveland Scene Magazine
“Throughout ‘Wild Empty Promises,’ Laurence mines the best of the Just Say Sire (Records) playbook; Echo & The Bunnymen, The Ocean Blue and The Smiths, shimmer throughout the set, as does an undercurrent of classic rock slow churned with Ryan Adams-style Americana. The melodies are huge and the musicianship is world class.” - Keith Creighton, Popdose.
15711 Waterloo Rd
Cleveland, OH, 44110