Jukebox The Ghost

Jukebox The Ghost

The Greeting Committee, Future Feats

Tuesday May 15 2018

Doors: 7:00 pm / Show: 7:30 pm

Beachland Ballroom

$18.00 - $60.00

Off Sale

This event is all ages

VIP Meet & Greet will start at 6pm, and last for 1 hour.

Jukebox The Ghost
Jukebox The Ghost
Jukebox the Ghost's latest record, Off To The Races is a giddy, vibrant collection of Jukebox the Ghost's most bombastic, colorful songs to date. Though it's the fifth studio outing from this long-running trio of piano pop wizards, it plays like an energetic debut album: Just as eager to please as it is eager to surprise you. Every generation has a band that puts a fresh twist on piano-rock, and Jukebox the Ghost’s latest studio offering serves as a memorably vivid and kaleidoscopic step forward for the genre.

From the opening vocal stack of "Jumpstarted," it's obvious that Jukebox the Ghost has newfound confidence in embracing bold musical risks. A mishmash of modern pop, retro vocals and classic rock indulgence, it's a head-spinning listen for the first go-round that the band describes as "what it's like to be inside of Ben (Thornewill, lead singer/pianist)'s brain." A thickly-layered vocal intro builds into a showcase of Thornewill’s virtuosic classical piano chops and then abruptly vaults into a bouncy, upbeat pop chorus led by Jesse Kristin’s punchy backbeat drumming. A synth solo enters and you're suddenly in a section vaguely resembling hip-hop. The guitar solo kicks the door down and you're front row at an arena rock show. Thornewill recorded over 170 vocal tracks in "Jumpstarted," and somehow you can hear them all.

One influence stands out in particular as a common thread: Queen. This isn't a matter of happenstance -- The band has recently made a tradition of "HalloQueen," a yearly show where they perform two sets: One as themselves, followed by a set break, and one in costume (and in character) as Queen. Through being forced to do a deep dive into Queen's catalogue, the band says they ended up discovering themselves in the process. "Something magical about Queen to me is that their songs are so catchy, but the song structures are so wonderfully wrong and they're so unafraid to showcase their chops," said Tommy Siegel. "Their music is a reminder to me that pop music doesn't have to come in a neat, restrained package,” added Thornewill, “It's ok to get weird and own it -- And you can still be catchy.”

The second track from Off To The Races, "Everybody's Lonely" provides a mix of old and new, evocative of Queen crossed with Walk the Moon. In addition to a distinctly modern pop chorus, it also features a surprising time signature shift and a bridge that has more in common with "Bohemian Rhapsody" than it does current radio morés. And though Thornewill’s lyrics thumb their nose at modern pop radio, it’s also easy to envision it becoming a modern pop hit in its own right. The third track, a snarky ode to the 9-to-5 from guitarist/singer Tommy Siegel called "People Go Home" sounds like you've tuned into some 1970s AM radio station that's been humming along in a parallel universe for decades, an otherworldly early-Beatles-style track for the new millennium. The remainder of the record serves as a bright, exciting showcase of the band’s well-honed sense of pop craft, coated in thick harmony stacks that serve as a brand new instrument for the band, dramatic cinematic climaxes, and broad hooks that playfully nod to the past with a decisively modern sensibility.

Off To The Races is their fifth studio outing, mostly recorded at Studio G in Brooklyn and engineered, produced and mixed by Chris Cubeta and Gary Atturio (two exceptions: “Everybody’s Lonely” was produced by CJ Baran and Peter Thomas and “Fred Astaire” was produced by Chris Wallace). Longtime fans will hear little bits of past Jukebox the Ghost embedded in the record blanketed in a fresh, more colorful sonic palette. The flamboyance and quirkiness of Let Live and Let Ghosts (2008), the retro sensibility of Everything Under the Sun (2010), the concise modern pop smarts of their recent self-titled album (2014) and Safe Travels (2012) and the raw live energy of their live album Long Way Home (2016) are all on full display if you listen closely.

The album is the result of a three-year songwriting and recording process, culled from dozens of demos that the band brought to the table. Recording in their home base of Brooklyn enabled them to do more outside-the-computer sonic experimentation and live performance than past records have afforded. “In ‘Boring’ we sent Tommy’s backing harmonies through a distorting rotary speaker which created this totally weird underwater sound,” explained Jesse Kristin. “And for ‘See You Soon’ we ran an electronic tabla machine through an amplifier and then I played drums along with it. That’s the sort of thing I think we wouldn’t have spent the time to do on our other records.”

Jukebox the Ghost formed in college in 2006 and has been a steadily growing cult favorite and a globally touring band ever since. Composed of Ben Thornewill (piano/vocals), Tommy Siegel (guitar/bass/vocals) and Jesse Kristin (drums/vocals), they have played over 1,000 shows across the country and around the world over the course of their career. In addition to countless headlining tours, they have also toured as openers alongside Ingrid Michaelson, Ben Folds, Guster, Motion City Soundtrack, A Great Big World and Jack’s Mannequin, among others. In addition to festivals like Lollapalooza, Outside Lands, Bonnaroo, and Bottlerock, Jukebox the Ghost has also performed on The Late Show with David Letterman and Conan. Their 2018 national headlining tour will take them to their largest headlining venues to date across April and May.


Jukebox the Ghost was released on October 21, 2014 on Yep Roc Records. Later that year, after hearing “The Great Unknown” in a movie trailer for 2014’s hit The Judge, Martin Kierszenbaum’s daughter brought the band’s new record to his attention, and in early 2015 he signed the band to Cherrytree Records, his successful imprint known for releasing juggernaut pop artists like Ellie Goulding, Disclosure, Feist, and more. Cherrytree will reissue the self-titled album with a special bonus disc in February of 2015.


“After the work and care we put into the songs, in choosing them and arranging them, by the time it was finished, we all came around to feeling like this record is who we are,” says pianist-vocalist Thornewill.

Instead of hurrying through the follow-up to 2012’s Safe Travels, the trio took its time piecing the track list of Jukebox the Ghost together, coming up with 50 demos over a 10-month period. There was only one goal, and it was uncompromising: to mine the best songs of the group's career.

“Even after the song selection was done, we really took a closer eye at the arrangements than ever,” Siegel says. “As a result, the instrumentation is a pretty big departure from anything we’ve done before. We tried to step outside of the guitar-drums-piano box and do whatever textures seemed to fit for each individual song.”

Jukebox the Ghost is the band's fourth album, its second produced by Dan Romer (A Great Big World, Ingrid Michaelson), and its first with additional production by Andrew Dawson (Kanye West, fun.). Unleashing more catchy melodies in its first six tracks than one might expect to hear from a career pop artist's entire catalogue, there is ample proof on Jukebox the Ghost of how fierce the paired songwriting powerhouse that is Ben Thornewill and Tommy Siegel, combined with Jesse Kristin's razor-tight and musical drumming, has become after years of road and studio experience. Trading multi-song suites and theatrical turns commonly featured on previous Jukebox records for the song format it knows best, Jukebox the Ghost's self-titled album is curated as an unapologetic pop record start to finish. Yet, one hears the band taking bold risk and adventure.

While lead single “The Great Unknown” soars with anthemic rock adrenaline that stays close to the band's long-honed piano-rock sound and has seen the band’s highest success at alternative radio, the songs “Made For Ending,” “Sound of a Broken Heart,” and “Postcard” all take a different direction and combine the band's power-pop composition with R&B and hip-hop flair. Punchy drum samples and rhythmic synthesizers cast glitter upon Jukebox the Ghost's ever-strong songwriting core on Jukebox the Ghost, making it the band's most modern-sounding and ambitious work. On “Girl” singer-pianist Thornewill showcases his soulful vocal ability, powerful as ever, crooning over a steady mid-tempo number flush with snaps, a bass groove, and little else. The track “Postcard,” produced by Andrew Dawson, throws Thornewill's confident vocals and punchy piano performance against a backdrop of lush synths and hip-hop-inspired grooves to create something truly new for the band. Uncharted territory doesn't stop there.

The nostalgic acoustic anthem “Long Way Home,” features guitarist-vocalist Tommy Siegel and Thornewill trading lead vocals, an alternating-lead-vocal style used for the first time on a Jukebox the Ghost record. If that isn’t enough new ground, for the first time, drummer Jesse Kristin provides lead vocals on “Hollywood” over a lounge-jazz piano prelude that quickly descends into punchy pop distinctive of the band’s past, but through a considerably new lens. Amidst so much studio experimentation, one of the most groundbreaking and exciting steps for the band while making this record, was (somewhat counterintuitively) playing less. Sparseness reigns supreme on the haunting vocal-and-Rhodes showcase “Undeniable You” and on the crushing album-closer “Show Me Where It Hurts,” the latter of which features just Siegel's vocals, Thornewill's piano, and a heartbreaking string arrangement by producer Dan Romer reminiscent of his score for the Oscar-nominated film Beasts of the Southern Wild.

Jukebox the Ghost arrives after years of accruing a diehard following while remaining one of the hardest-working live acts in music. The group’s quirky songwriting and breathtaking performance skills have led the trio to share stages with Ben Folds, Jack’s Mannequin, Motion City Soundtrack and Guster, while being one of Yep Roc’s lynchpin artists since signing to the label in 2010. Jukebox the Ghost has dazzled on big stages, such as when the group rocked The Late Show with David Letterman, showcasing the vibrant pop-rock workout of “Schizophrenia” on late-night TV. The band recently returned to late-night TV where they performed the song"Postcard" off of the new self titled album on Conan.

After nearly a decade of incessant touring, recording, and hard work to establish a passionately devoted fanbase, Jukebox the Ghost has finally given its ghost logo, sketched during the first hours of the band’s existence, the album cover of its proudest effort yet.
The Greeting Committee
The Greeting Committee
Formed in 2014, The Greeting Committee consists of vocalist Addie Sartino, guitarist Brandon Yangmi, bassist Pierce Turcotte, and drummer Austin Fraser, half of which are still in high school. The band quickly emerged into the music scene after catching the attention of Lazlo Geiger, a radio personality from 96.5 The Buzz (KRBZ Kansas City).

The Greeting Committee's debut EP, titled 'It's Not All That Bad,' captivated the hearts of listeners with its intelligent musicality and meaningful lyrics. "If you want smart, credible music with a raw energy that inspires, you just found it," says Geiger. The EP was re-released through Harvest Records in October of 2015, leading The Greeting Committee to land tours with bands such as KITTEN, Saint Motel, and The Mowgli's, as well as festivals such as Mo Pop in Detroit and the 25th anniversary Lollapalooza in Chicago.

"We're working to create a collaborative environment with our surroundings," explains Sartino, "To us, The Greeting Committee is an art project influenced by the listeners. The music is merely the soundtrack to something much greater." After recording in Capitol Studio B in August 2016, the band plans to release new music in the near future.
Future Feats
Future Feats
Venue Information:
Beachland Ballroom
15711 Waterloo Road
Cleveland, OH, 44110
http://www.beachlandballroom.com/