The Sadies

The Sadies

Herzog

Fri · April 20, 2018

Doors: 7:30 pm / Show: 8:30 pm

$18.00

Off Sale

This event is all ages

The Sadies
The Sadies
Since their formation in 1994, Toronto’s Sadies have developed, even perfected, a style of music that is
uniquely their own. Possessing a deep fondness and reverence for the best of country, bluegrass and blues
(CBGB!), they are equally informed and influenced by everything from 60s garage and psychedelic rock
(Pebbles, Nuggets, et al) to surf instrumentals and punk rock. You’re as likely to find an enthusiastic fan of
Negative Approach or Crime as one of Santo & Johnny or Merle Travis within their ranks. It’s all relevant
and it all fits and that sort of depth goes a long way in helping to understand how they came to develop
such a broad platform from which to launch their own musical explorations.
Through a trio of brilliant albums that began with 2002’s “Stories Often Told”, 2004’s “Favourite Colours”
and 2007’s Juno Award nominated, “New Seasons” – they finally topped themselves with 2010’s “Darker
Circles” an accomplished album that received a Juno Award for Best Video and was short-listed for the
2011 Polaris Prize. "Darker Circles" was a departure from their previous releases, which despite having
some fairly, er, dark themes and subject matter, resonated strongly with fans and critics alike. It stands out
as the most fully-realized song cycle from the group - until now.
September 17th, 2013 saw the release of "Internal Sounds" an album that heralds a new level of
achievement for The Sadies. This was largely due to refusing to be pressured by any deadlines but their
own, taking their time over a period of nearly a year to get everything "just right" and using up every
resource they had and every favour they could call in. “Internal Sounds” marks the first time Dallas Good
has assumed the producer’s role and this helped craft a record that is the closest the band has yet come to
capturing their sound on an album. Vocals are clear and prominent, guitars are positioned high in the mix
and the album has a tone that is overall fuller and richer. Some key assistance was provided by Peter J.
Moore (mixing/mastering) and Gary Louris (who has produced much of the bands past work) with some
vocal coaching and control room refereeing. The resulting album greatly benefits from all of these
considerations and is by far the most confident and assured of their career. The final track features an
amazing vocal performance from Buffy Sainte-Marie that is a thrill to hear and a fantastic way to finish off
the record.
The numerous collaborations that the band has been involved with over the years have resulted in some of
the most surprising and fun work they've done. These feature a tremendous range of artists from expat
British punk rockers (Mekons’ Jon Langford - “Mayors of The Moon” Album), L.A. troubadours (John Doe,
formerly of X - “Country Club”), old timey R&B masters (Andre Williams – more on him later), to up and
coming alt-country starlets (Neko Case “The Tigers Have Spoken” many tours and contributions to many of
her solo albums). They’ve also worked extensively with ex- Pussy Galore founder and current Jon Spencer
Blues Explosion frontman Jon Spencer’s “Heavy Trash” project with NYC guitarist Matt Verta-Ray – they’ve
backed Matt and Jon extensively on tour and played on much of their “Going Way Out With Heavy Trash”
album as well. There’s hardly ever been a band as versatile and adventurous as The Sadies which is why
they don’t have too many peers with that kind of track record.
When Garth Hudson, organist with the Canadian rock institution, The Band, put together an all-Canadian
collaboration album recently he leaned heavily on The Sadies, who, in addition to contributing their
version of “The Shape I’m In”, backed the much-loved Mary Margaret O’Hara on her contribution “Out Of
The Blue”. They also played with Neil Young on his rendition of “This Wheel’s On Fire”. This ultimately led
to being invited to open for Neil Young and Crazy Horse all across Canada in late 2012.
The Sadies have also recently performed live on several occasions with former Guess Who founder and
Canuck songwriting legend Randy Bachman where they were thrilled to get a chance to perform some of
their own favourite super-obscure Guess Who songs with the man himself. Of The Sadies, Bachman has
this to say; "It's quite different when I play with The Sadies than when I play with anyone else. I love the
stand-up bass, it gives an incredible gigantic bottom end sound. I think the two brothers Dallas and Travis
are just amazing guitar players. They've got their own cool identity”.
The band continues to enjoy a long and fruitful relationship with 50s R&B legend Andre Williams. In 2012
the excellent “Night and Day” album was released to much acclaim. Previously they’d put together a
country album with him, "Red Dirt" which was a blast for all involved and saw the band do several
memorable gigs with Mr. Rhythm throughout the US & Canada before heading off to Europe for a wellreceived
month-long tour playing the classic hits as well as a lot of the new material. Andre once said “You
cannot find a better bunch of characters, men or musicians than The Sadies”.
Growing up in a musical family served the Good siblings well. Being the sons of noted Canadian country
music icon Bruce Good and their singer / schoolteacher mom, Margaret and hanging out around their
“Good Brothers” extended family, they learned a thing or ten about music. This helped them foster the
broad appreciation and respect for the best of bluegrass, country and gospel that has continued to serve
them well from an early age. Just this year saw the release of the Good Family Album via the Cowboy
Junkies’ Latent Recordings label. The album features Dallas, older brother Travis, Cousin D’Arcy on fiddle
and vocals, Mom, Dad & Uncle Larry (2/3 of the Good Brothers) as well as the rest of The Sadies.
Everybody sings, everybody plays and it’s a diverse and entertaining collection of songs. No Depression
raves “I almost defy you to listen to this album and not find yourself continutally gawping at the quality on
display. A highwater mark for North American (not just Canadian) music.”
The Sadies have consistently pushed themselves forward into new areas while refining their approach to
what they do - creating a constantly evolving catalogue of work and picking up legions of new converts
with each successive tour. Their concerts, legendary since their earliest days have only gotten better over
the years. Though the three-hour marathons of yore may happen less frequently, The Sadies have always
prided themselves on a well-paced live show, starting off strong and gradually building things up to fever
pitch then bringing it back home (often with a nice surprise or two along the way), before sending
everyone home with a smile on their face. The live experience has it all, blistering instrumentals, country
rave-ups, super-human guitar interplay and mind blowing psychedelic expeditions that can end up
anywhere. There are not many bands that have been together nearly two decades that are truly making
the best music of their careers, but The Sadies have definitely established themselves as one of the leaders
in that very uncrowded field.
These fellows thrive by a simple rule, if you make a mistake in the studio, you do it over - but you don't
make mistakes onstage. The live show has to do everything the records do (just a little faster and a little
drunker). They’re ready to hit your town in support of the release of the remarkable new album “Internal
Sounds” this fall. If you’ve never seen them live, the time to change that is now - if you've seen them
before, it’s time to take another look. And buy yourself a copy of “Internal Sounds” it might end up being
the best record you’ll hear this year!
~ Greg Dinwoodie, friend, July 2013
Herzog
Herzog
Power Pop from Cleveland Ohio
Venue Information:
Beachland Ballroom
15711 Waterloo Road
Cleveland, OH, 44110
http://www.beachlandballroom.com/